When the landscape becomes a character, the story comes to life. I’ve seen a couple of well-done miniseries lately. They will always be set apart in my memory because of the cinematography. The scenery lives and breathes. It’s heart beats.
The characters are on the screen, but your eyes are drawn to the entire scene, taking in the backdrop, which may be airplanes landing behind them, or a battle scene, with blinding flashes and heart-stopping explosions.
In one of the movies, the characters are arguing in the middle of a cotton mill. The air is white with fiber. It looks like snowflakes, so thick you can hardly see. The noise of the looms is deafening. You can barely make out what they’re saying, but their body language makes the meaning clear. And the scenery almost steals the show. Without this setting, the dialogue would fall flat. With the setting, we’re riveted.
How do you translate this to writing? How do you balance your characters’ interaction with descriptions of scenery so the reader feels the place, sees the sunset, hears the waves crash? It’s a challenge I’d like to take up, after seeing these films.
What does all this have to do with Revising, Rewriting, Re-releasing? I tested the limits in The Lady of the Haven. I tried to maintain a balance between the magnificent hulking scenery of my imagination and the actual words I put on paper. My first efforts, the scenery overshadowed at times. In my second effort, I hope I’ve brought more balance. In my future work, I hope to achieve even more.
The beautiful new cover art for The Lady of the Haven spurred me on, almost drove me, to rewrite parts of the book. The revised version, just released, has some new scenes. The beginning is new, the ending is redone. And I beefed-up several of the action scenes, renamed some chapters. Sharpened the view.
I’m still a novice. I’m learning and each time I think I’ve learned all I need to know, someone opens another chapter. Ah! There’s more.
The Lady of the Haven, 3rd Edition*, is now available at most book sites.
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Coming Tuesdays through the end of the year – Authorviews. Interviews with writers and authors, a chance for you to get to know some special people. Drop back by and see what’s happening.
*Cover created by Debi Warford
Love the new cover!
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Betty, as you know I am a hardcore fan of your writing and of the Lady of the Haven books in particular. In fact I recently recommend you to a new Christian friend who tells me Lady of the Haven is her new favorite book. She, like me, admists to reading it too fast because she just couldn't help herself. But she said she plans to read it again more slowly. I have read it three times and am now reading the new version, slowly so as to savor and appreciate every word, every nuance. Thank you again for creating a story and characters that slip into your imagination and take up residence. God Bless you.
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Ugh! Your novel is STILL on my TBR list. I love your discussion of this topic on setting the atmosphere of your scene. That is such a challenge! While old books were heavy on narration and scene setting, it's actually one of the things I think we often cut too short nowadays. Describing it like you did with that movie and the fibers floating through the air was a perfect example. I'll envision that when I write visually stimulating scenes in the future!
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Thanks, Linda! Love your new cover, too.
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Aww, thanks, Sharon. Not only for being and staying a fan, but for recommending my books.
Thanks, Naomi. I'm glad I could inspire you to write visually. 🙂
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